Since 1961 Margaret Atwood has been spinning out amazing literary pieces that can make one imagination run wild. Below is a list of the best 10 that you should read if you haven’t read them already.

  • ‘The Handmaid’s Tale’ – published in 1985. It is set in a near-future New England, in a strongly patriarchal, totalitarian theonomic state, known as Gilead that has overthrown the United States government. The central character and narrator is a woman named Offred, one of the group known as “handmaids”, who are forcibly assigned to produce children for the “commanders” – the ruling class of men.
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  • ‘The Blind Assassin’ – It was first published by McClelland and Stewart in 2000. Set in Canada, it is narrated from the present day, referring to previous events that span the twentieth century.
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  •  ‘Alias Grace’ – The story fictionalizes the notorious 1843 murders of Thomas Kinnear and his housekeeper Nancy Montgomery in Canada West. Two servants of the Kinnear household, Grace Marks and James McDermott, were convicted of the crime. McDermott was hanged and Marks was sentenced to life imprisonment
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  • ‘The Edible Woman’ – It is the story of a young woman whose sane, structured, consumer-oriented world starts to slip out of focus. Following her engagement, Marian feels her body and herself are becoming separated. As Marian begins endowing food with human qualities that cause her to identify with it, she finds herself unable to eat, repelled by metaphorical cannibalism.[1] In a foreword written in 1979 for the Virago edition of the novel, Atwood described it as a protofeminist rather than feminist work.[2]
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  • ‘The Penelopiad’ – It was published in 2005 as part of the first set of books in the Canongate Myth Series where contemporary authors rewrite ancient myths. In The Penelopiad, Penelope reminisces on the events of the Odyssey, life in HadesOdysseusHelen of Troy, and her relationships with her parents. A Greek chorus of the twelve maids, whom Odysseus believed were disloyal and whom Telemachus hanged, interrupt Penelope’s narrative to express their view on events. The maids’ interludes use a new genre each time, including a jump-rope rhyme, a lament, an idyll, a ballad, a lecture, a court trial and several types of songs.
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  •  ‘Eating Fire’ – The evolution of Margaret Atwood s poetry illuminates a major literary talent. Through bus trips and postcards, wilderness and trivia, she reflects the passion and energy of a writer intensely engaged with her craft and the world. In this volume, two previous selections, Poems 1965-1975 and Poems 1976-1986 are presented together with Morning in the Burned House.
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  •  ‘The Testaments’ – It is a sequel to The Handmaid’s Tale (1985).[2] The novel is set 15 years after the events of The Handmaid’s Tale. It is narrated by Aunt Lydia, a character from the previous novel; Agnes, a young woman living in Gilead; and Daisy, a young woman living in Canada.
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  • ‘The Robber Bride’ – Set in present-day TorontoOntario, the novel is about three women and their history with old friend and nemesis, Zenia. Roz, Charis, and Tony meet once a month in a restaurant to share a meal decades after Zenia betrayed them and interferes with their romantic relationships. During one outing they spot Zenia, who they thought to be long-dead since their university days. The plot then travels back in time to explain how Zenia stole, one by one, their respective partners. The novel alternates between the present and the past through flashbacks, in the third person perspective of Tony, Charis and Roz. Zenia gives each woman a different version of her biography, tailor-made to insinuate herself into their lives. No one version of Zenia is the truth, and the reader knows no more than the characters.
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  • ‘Cat’s Eye’ – a about fictional painter Elaine Risley, who vividly reflects on her childhood and teenage years. Her strongest memories are of Cordelia, who was the leader of a trio of girls who were both very cruel and very kind to her in ways that tint Elaine’s perceptions of relationships and her world — not to mention her art — into her middle years. The novel unfolds in mid-20th century Canada, from World War II to the late 1980s, and includes a look at many of the cultural elements of that time period, including feminism and various modern art movements. 
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  • ‘Dearly’ – Atwood addresses themes such as love, loss, the passage of time, the nature of nature and – zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.

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