The 77th Primetime Emmy Awards lit up more than just the stage—the red carpet was a masterclass in glamour, bold choices, and runway-level drama. From delicate pastels to avant‑garde risk‑taking, here are the standout moments that had fashion critics and fans alike talking long after the ceremony.
Selena Gomez owned the red carpet in a Louis Vuitton showstopper. Her cherry‑red, halter‑neck gown merged architectural lines with Old‑Hollywood elegance. The fire-engine hue, dramatic funnel neckline, and sweeping train made it one of the night’s most clever uses of simplicity and statement in equal measures.
Then there was Jenna Ortega, pushing boundaries in the goth glam department. Wearing Givenchy by Sarah Burton, she transformed the concept of “naked dressing.” Instead of sheer fabric, her bodice was composed of pearls, oversized gemstones, and hardware, fastened over just enough to preserve modesty. It was dramatic, daring, and unmistakably dramatic in its execution.
For something softer but no less impactful, Lisa of BLACKPINK delivered a romantic fantasy in bubblegum pink. Her Lever Couture gown featured painterly ribbonwork, a structured off‑the‑shoulder neckline, and a train that whispered rather than shouted. The ensemble was paired with Bulgari Serpenti jewels, giving the look a fairytale softness with plenty of sparkle to match.
Scarlett Johansson opted for understated goddess energy in pastel yellow Prada. This minimalist column gown with soft ruching proved that restraint, when done with precision, can be a statement in itself. It was elegance without excess—a breath of calm amid so many bold, attention‑grabbing ensembles.
Sydney Sweeney delivered full old‑Hollywood glamour in a red satin Oscar de la Renta gown. Strapless and with dramatic bust ruching and a sweeping train, it was paired with some serious diamond power from Lorraine Schwartz. Sweeney’s look was classic starlet meets modern confidence, all wrapped in scarlet satin.
Natasha Rothwell also stole the show in a ballgown by Ines Di Santo. Her voluminous, dramatic, black satin look embraced theatrical elegance. It was the kind of dress made for sweeping across carpets and commanding cameras.
Men on the red carpet contributed memorable moments too. Pedro Pascal reimagined classic formalwear in a crisp all‑white Celine double‑breasted suit—no tie, open collar, paired with white trainers and round sunglasses. It was relaxed yet refined, a modern tweak to menswear tradition.
Some looks divide opinions, proving that red carpet fashion is never just about winning praise. Aimee Lou Wood’s pale pink Alexander McQueen strapless gown included a daring red bra detail at the neckline—an unexpected contrast that drew both admiration and raised eyebrows.
Jenna Ortega’s jewel‑top Givenchy also came with its share of discourse—many applauded its artistry and audacity, while others questioned how much exposure is “too much” on such moments. These debates, however, may be the point: red carpet fashion is as much about conversation as couture.
In color trends, red and pink dominated. From burnt and cherry reds to flirty salmon and candy‑floss pinks, many chose tones that read vibrant and bold. Black remained a reliable base for drama, while pastels provided softer counterpoints. Jewelry followed suit: oversized, glittering, and statement‑making. Hair and makeup leaned either into glam Hollywood waves or slicked-back, minimalist polish.
What emerges from the Emmys 2025 is a red carpet that balanced nostalgia and risk. Stars borrowed from classic Hollywood but bent the rules—through cut, color, and ornamentation. Those who impressed most were not simply well‑dressed; they told stories with their gowns, their accessories, and their choices.
Fashion moments like these are often remembered. And while some looks will fade from memory, others—Selena’s red, Lisa’s pink, Jenna’s stones—will likely endure as defining images of this awards season.
