Kate Middleton was back in the spotlight for her Christmas outfit as she attended the Royal Family’s Christmas Day service event at St Mary Magdalene Church on the Sandringham Estate. She wore an outfit that was a mix of festive elements and symbolism. The Princess of Wales was seen wearing her brown plaid coat by Italian brand Blazé Milano, which has become somewhat of a staple of her winter collection and was first noticed on her during a poignant outing earlier last year.
The dashing coat is actually a brilliant example of heritage fashion design, with its cut being that of a windowpane pattern pitting dark browns and muted neutrals. However decent the cut was—fitted but relaxed to allow for a winter walk outside— Kate’s keen fashion sense is clearly something that leans both to the temporal and to something completely contemporary. The Princess complemented her Blazé Milano coat with a number of fashion accessories which helped her outfit transcend simple functionality. The Princess wore her chocolate-brown fascinator from Juliette Botterill Millinery with floral motifs elegantly perched on her head. A matching silk scarf in shades of autumn helped soften her outfit.
Kate’s decision to don the same coat at this very public event was widely seen to be another deliberate and significant nod in relation to her own personal journey. The brown plaid was originally noticed when she visited the Royal Marsden Hospital earlier in 2025, when she formally declared that she was in remission from cancer. It appears that she wanted to end the year with one very notable circle, one that combines meaning with continuity.
The accessories also contributed significantly. Kate completed her outfit with a pair of brown suede boots peeking out from under her coat and a patterned silk scarf from Really Wild Clothing—an item she has worn for Christmas before, starting in 2014. The continuity exhibited in fashion reinforces the idea that she has a fondness for wearing special items repeatedly rather than looking for new ones.
The jewellery added subtle depth to the overall look. Kate opted for Cartier Trinity hoops, a design rich in history and a favourite of her late mother-in-law, Princess Diana.
Unlike her recent show-stopping festive outfits, this one seemed to be a more thoughtful choice. The earth tone of her coat and accessories looked very apt for the snowy scene in Norfolk but also allowed her to be noticed in the midst of all the stronger festive colours, such as red and green. The ensemble served to highlight the fact that Kate likes to do things a little bit differently than is the norm.
Fashion observers were quick to point out the fact that the brown tartan was more than just a warm and practical thing for the chilly English morning; it was also a nod towards heritage fashion and a stylish spin on a classic design. This particular overcoat by Blazé Milano is something of a staple for the Princess and reflects a clear affection for the classic and stylishly realised offerings that the fashion label provides. In fact, Kate’s Christmas fashion has attracted significant attention in recent years, providing a revealing window each year into her increasingly complex relationship with fashion and identity. From the colourful tartans and jewels of the Christmas seasons past to the more introspective natural tones of late, Kate’s fashion is a function of her status as a fashion icon and her own personal experience.
While Princess Wales continues to navigate these traditions with her design aesthetic in mind, her Christmas Day fashion influence on Sandringham will be distinguished not only by the sophistication of her style but also by the emotional narrative that goes into creating each layer of it. Like in real life, Kate Middleton continues to be a fashion icon whose influence goes beyond her clothing.
