The Summer They Turned Stylish

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The season finale of The Summer I Turned Pretty revealed more than just relationship twists and coastal nostalgia. It showed how its male leads have moved well past their beach‑prep roots into a sharper, more refined form of menswear.

Gavin Casalegno and Christopher Briney, known for their roles as the Fisher brothers, have taken style off the sand and planted it firmly on red carpets and premieres. Gone are the rugby shirts and linen shorts; in are fluid trousers, cropped jackets, and accessories that make bold statements.

At the Paris premiere, Christopher Briney (“Team Conrad”) stepped onto the carpet in a suit from Balmain that was all about the details. His base was elegant but fairly classic—with wide‑leg flowing trousers and a blazer cropped just enough to hint at youthful ease. From there, accessories amplified the look: a gold chain‑link tie, boots with metallic toe caps, and even a handbag with a chain strap. The effect was elevated and bold, signaling that his menswear credentials were in full bloom.

Gavin Casalegno (“Team Jeremiah”) went for something similarly polished, but with a different mood. His look leaned into continental glamour: an open, double‑breasted blazer paired with a black silk blouse underneath, straight‑leg trousers, and shiny Oxfords. He added silver chains and rings to round off what might have seemed like a pared‑back outfit but became anything but. The blend of texture, drape, and finish made the outfit feel both red‑carpet worthy and personal.

What’s striking is how both actors have allowed their off‑screen fashion to diverge from the show’s signature “coastal prep.” The costumes onscreen lean beachside casual—shorts, rugby shirts, and light knits. But in the real world, they are embracing tailoring, structure, and bold styling. The move suggests a turning point: menswear that’s confident, expressive, and attentive to detail.

 

Here are some key takeaways from their elevated style:

  • Tailoring with a twist: Blazers that are cropped or feature unconventional collars; trousers that flow or shift, rather than cling.
  • Luxurious stillness: Silk, satin, or lightly reflective fabrics under soft lights; understated base outfits but accessorized to draw attention without overdoing it.
  • Accessories that matter: The tie is not just for formalities—Briney’s chain‑link tie, handbags or clutch‑style bags held in hand, rings, boots, and metallic touches. These elevate what could otherwise be plain.
  • Blended textures and contrast: Smooth silk beneath structured outer layers; matte fabrics against shine; monochromatic or tonal looks punctuated with metallic hardware.

 

For fans looking to translate this growing‑up look into everyday wardrobes, here are a few tips:

  • Experiment with lighter suiting fabrics in summer or transitional jackets that don’t feel too formal.
  • Try trousers with a softer drape or just a slightly cropped length—they add polish without discomfort.
  • Accessories can transform: a bold tie, metal‑accented boot, or even a clutch or small bag changes the vibe.
  • Keep a balance: one dramatic item (boots, jewelry) paired with simpler basics (clean shirt, single‑color trousers) to avoid looking overstyled.

What this style shift demonstrates is more than just a wardrobe upgrade. The Fisher brothers’ actors are showing that menswear does not have to stay boxed in by expectations of formality or tradition. The right suit, the smart accessory, and the playful yet thoughtful detailing—they can all coexist.

Ultimately, this is not about rejecting their characters’ past summer; it’s about evolving from it. Gavin Casalegno and Christopher Briney have shown that menswear can be “pretty”—in color, cut, and spirit—while being undeniably grown‑up. If this is what the off‑screen style of The Summer I Turned Pretty can produce, one can only hope for more red‑carpet looks that walk the line between youthful flair and maturity.

 

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