Lady Commonwealth (Commonwealth Union)
In a vibrant corner of West Africa, Noella Wiyaala Nwadei—known to the world as Wiyaala—has carved out a remarkable space in the global music scene. Born on 22 December 1986 in Wa, in the Upper West Region of Ghana, Wiyaala has emerged as a formidable force, recognized not only for her dynamic music but also for her unwavering commitment to women’s rights, activism, and cultural pride.
The name Wiyaala, derived from the Sissala language and meaning “the doer”, perfectly encapsulates her personality and career. Singing in Sissala, Waala, and English, she seamlessly blends traditional dialects with contemporary rhythms, creating a style that is unmistakably hers. Her music fuses Afropop. Her music fuses tribal folk and arena rock, resulting in songs that resonate with authenticity and power.
Raised in the rural town of Funsi and later in Tuma, Wiyaala’s journey into music began in childhood. Her mother, a church choir singer, encouraged her, and by the age of five, she was already performing. Her early life shaped her resilient, tomboyish spirit—she played football in school, studied art and design at Takoradi Polytechnic, and became known for her vibrant stage presence and androgynous style, drawing comparisons to Grace Jones.
Wiyaala gained national attention after multiple attempts on reality TV shows like Stars of the Future, eventually winning the 2012 Vodafone ICONS Mixed Edition as part of the band Black N Peach. However, it was a bold solo move in 2013 that truly marked her breakthrough. The single “Rock My Body”, featuring dancehall star Jupitar, showcased Ghana’s first underwater music video and earned her two major awards at the inaugural All Africa Music Awards in 2014—Most Promising Artist in Africa and Revelation of the African Continent.
Her 2014 debut album, simply titled Wiyaala, included songs like “Africa”, which earned Music Video of the Year at AFRIMA. Her lyrics often tackle themes of identity, pride and injustice. Songs such as “Tinambayai” challenge the exploitation of women, while “The Captain’s Lament” reflects on mob injustice, inspired by the tragic lynching of a military officer.
Wiyaala’s activism is as central to her identity as her music. A dedicated UNICEF Ghana ambassador, she uses her platform to campaign against child marriage, female genital mutilation, and child poverty. In interviews and on stage, she speaks passionately about the importance of girls’ education, and her life story serves as a beacon for young women navigating similar struggles.
Her music is as varied as her causes. The 16-track album Sissala Goddess offers a panoramic view of her worldview—from the spiritual ballad “When the Lord Get Us Ready” to “Wiisi (Not Too Much, Not Too Little),” a heartfelt tribute to her blind uncle. Whether exploring themes of faith, betrayal, marriage, or heritage, her deep, commanding voice adapts fluidly—at once fierce and soothing.
Internationally, Wiyaala has carried the Ghanaian flag with pride. She has performed at WOMAD UK, the London African Music Festival, and even at Ronnie Scott’s Jazz Club, joining the “Voices of the Revolution” project. In 2018, she was honored among the BBC’s African Women to Watch, alongside influential figures like Ilhan Omar and Sahle-Work Zewde.
Wiyaala is also a fashion icon in her own right. She designs and creates her own stage outfits and jewelry using patterns and materials inspired by village life. Her bold aesthetic and stage presence, married with her powerful voice, make her performances unforgettable.
Despite global recognition, Wiyaala remains rooted in her community. She embodies the best of traditional Ghanaian values—respect for elders, community cohesion, and cultural preservation—while also pushing for progress and equality. In a world often divided between modernity and tradition, she proves that the two can coexist harmoniously.
Wiyaala’s influence continues to grow. In 2024, she collaborated with Swiss artist Dodo, further blending her African roots with international sounds. As an artist, advocate, and role model, Wiyaala firmly establishes herself as one of Ghana’s most influential musicians—a true doer in every sense of the word.
